Movie & Music Reviews

●๋♫●๋ Exclusive Movie Review | Lafangey Parindey | VaRiOuS RaTiNGs ●๋♫●๋

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IndiaFM Review



Cast : Neil Nitin Mukesh, Deepika Padukone, Piyush Mishra
Direction : Pradeep Sarkar
Genre : Romance
Duration : 2 Hrs 14 Mins.

Sometimes, your reputation precedes you. Pradeep Sarkar carries the reputation of making women-centric movies. Films like PARINEETA and LAAGA CHUNARI MEIN DAAG prove it. Who would've ever thought Sarkar would do a 360 degree turn in his third film by calling it LAFANGEY PARINDEY, set it in a chawl and make his characters speak tapori lingo? Hard to digest, isn't it? Frankly, the skilled storyteller takes you on a trip least expected from him.

When you attempt something you haven't attempted earlier or ventured into before, you either fall flat on your face or walk with your chin up in air. Sarkar doesn't slip, although LAFANGEY PARINDEY does have its share of hiccups that show up intermittently. Unlike PARINEETA and LAAGA CHUNARI MEIN DAAG, Sarkar narrates a simple story this time around and though it has nothing to do with the Rajesh Khanna - Mumtaz - Meena Kumari starrer DUSHMUN, you can't help but draw parallels with it, which, frankly, could be a coincidence as well. Yet, to be fair to Sarkar, he ventures in an unknown territory like a seasoned player.

On the flipside, the film has a major flaw and that dilutes the impact to an extent: Casting Neil Nitin Mukesh as a tapori. He just doesn't look like one. Even if he tries very hard to get into the skin of the character, you just can't connect with him since the suave and dashing demeanor makes him look like a Harvard returned, not someone from the streets or wadis of Mumbai definitely.

Final word? Sure, it has its share of shortcomings, but is an engaging watch nonethess.

LAFANGEY PARINDEY is about a group of youngsters living in the backstreets of Mumbai. It is the love story of Nandu [Neil Nitin Mukesh] and Pinky [Deepika Padukone].

One-Shot Nandu takes boxing to a new level by knocking down his opponents - blindfolded. Needless to say, One-Shot lives life on his own terms and is a local hero amongst his friends. But all that changes when he meets Pinky.

Pinky works at a mall, but is a kickass dancer on skates. Strong-headed, talented and fiercely ambitious, she aspires to rise above all the 'losers' living in her locality and carve a niche for herself. Two different personalities. Two different lives. Destined to meet.

LAFANGEY PARINDEY starts with gusto! Also, it moves on a singular path, without diversifying into unwanted sub-plots and superfluous characters. In fact, the story takes off at the commencement of the film itself and how Neil and Deepika's lives get intertwined makes for interesting viewing.

The film has some truly engaging moments and most of them are in its first hour. Sequences between Neil and Deepika after the accident are wonderful and keep you hooked. However, things begin to slacken in the post-interval portions, when the love story takes over and Neil and Deepika realize that they share a deeper bond. Just when things are about to go downhill, the climax happens and LAFANGEY PARINDEY is back on track. In fact, the drama in the finale - when Deepika and Neil have to perform the final act for a television show - is the highpoint of this film. The skating sequences and choreography are stunning and awe-inspiring.

Blemishes? Oh yes! The love story is conventional and dreary. Also, the investigating officer's track is half-baked and looks like an add-on. Besides, the film is embellished with a mediocre musical score [R. Anandh]. Also, the Bambaiya Hindi has its limitations.

Like I pointed out earlier, Neil is the wrong choice for this part. Also, he lacks the fire to carry off the role with flourish. LAFANGEY PARINDEY clearly belongs to Deepika Padukone, who suits the character and enacts it with such competence that it leaves you amazed. The pretty lass is only getting better with every film. Piyush Mishra is first-rate. Kay Kay Menon is okay in a brief role. The friends, each them, leave a mark. Especially Namit Das, who's wonderful. Shiamak Davar, Juhi Chawla and Javed Jafferi feature in brief roles.

On the whole, LAFANGEY PARINDEY may be predictable, but is engaging and entertaining nonetheless. A decent watch!

Rating : 3

●๋•๋• Exclusive Movie Review | The Expendables | VaRiOuS RaTiNGs ●๋•๋•

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Cast: Sylvester Stallone, Jason Statham, Jet Li, Eric Roberts
Direction: Sylvester Stallone
Genre: Action
Duration: 103 Mins
IMDB Rating : 8.6/10

Indiatimes Review


One of most awaited films of the year, ‘The Expendables’ is actually a sloppy affair with innumerable explosions, unfortunately all mounting to all smoke and no fire.

We don’t blame the hype that surrounded this film. After all the film is directed by action super star Sylvester Stallone and is probably the only film which has the biggest of action heroes all in one film!
And no prizes to guess what happens when you have a battalion of action superstars sharing the screen space. The film is expected to set the screen on fire and The Expendables literally does though there is no heat to that fire.

Stallone delivers what his loyal fans would ideally expect from him and his ‘action’ film - loads of gunfire, explosions and killings. However, lack of an original plot makes it all look futile.

Many would say an action film works as long as the stunts are entertaining so why even consider the plot? But, Stallone’s ambitious project doesn’t even delve into offering imaginative fight sequences. What you see onscreen is something you must have already seen for like a billion times before thus making his film look dated. It might have clicked with the audiences had it been released in the 80’s.

The Expendables sees Stallone flex his iconic muscles yet again and this time not alone. The superstar ropes in action heavy- weights Jet Li, Jason Statham, Mickey Rourke (to name a few) in an attempt to treat his fans with an overdose of unadulterated action which he does deliver although in a highly clichéd & formulaic way.

Barney Ross (Sylvester Stallone) heads a team of good mercenaries comprising of Lee Christmas (Jason Statham), Tool (Mickey Rourke), Bao Thao (Jet Li), Gunnar Jensen (Dolph Lundgren), Hale Caesar (Terry Crews) and Toll Road (Randy Couture). They call themselves ‘The Expendables’.

FBI approaches the gang to undertake the mission of overthrowing the cruel regime of Saddam Hussain-esque South American dictator Gen. Garza. How they go about doing it forms the story.

As mentioned earlier, in spite of having a stellar cast, ‘The Expendables’ fails to hold your interest, thanks to its sheer conventionalism. The film has nothing new to offer. The story is highly predictable as Stallone strictly sticks to the 80’s formulas on how to make a ‘good action film’.

For instance, to project how ‘heroic’ his fellow mercenaries are, he makes Jason Statham punch the man to death who physically abuses his ex-girlfriend, in a scene which seems simply irrelevant and unnecessary in the film’s story. There are many such scenes and many more irrelevant characters which come out of no where thus simply stretching the film for no rhyme or reason.

The attraction Barney has for Gen. Garza’s feisty daughter Sandra seems totally out of place.

Most of the actors are wasted and the ones who do get prominence get nothing new to do. Mickey Rourke plays a tattoo artist who appears for few minutes, WWE star Stone Cold aka Steve Austin gets the least number of dialogues. Gen Garza is a character that needs to be frightful but David Zayas as the General leaves no impact, nor does bad CIA agent Monroe played by Eric Roberts.

The art direction is so poor that the country Gen Garza rules looks like a studio set and so does the Gen’s palatial house. The accents of the South American people sound put on and no detailing goes into achieving any sort of authenticity to the overall look and feel of the film.

The only positive thing about The Expendables is the banter that the groupies exchange with each other once in a while. Best of the lot being the conversation between arch rivals in their heydays Arnold Schwarzenegger and Sylvester Stallone. Sylvester even taunts Arnold (in guest appearance) on how he is more interested in being ‘the president’. This scene entertains more than the entire film put together.

The script too has various loopholes. It makes the opposition party, (the bad guys) look like a bunch of jokers with absolutely no powers. When The Expendables conquer the Gen, their task seems like a cakewalk.

Recently released Salt was a better action film than this one with better effects, stunts, performances and even the story!

Rating : 2.5

Help (MOVIE REVIEW)

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Just an okay horror film nothing great

Supernatural and horror films have something which is intriguing. There is a certain urge to know what is beyond our perception. But more often than not, the execution is not up to the mark. HELP is no exception.

Pia (Mugdha Godse) is married to filmmaker Vic (Bobby Deol). While going through a tumultuous relationship they unexpectedly have to rush to Mauritius after Pia's father has a heart attack. When she goes to her old home in Mauritius, Pia is confronted by her past. She had lost her five-year-old twin sister in an accident and now it seems that her spirit is back to take revenge. Taking the help of a renowned parapsychologist, Dr. Aditya Motwani (Shreyas Talpade), Vic now has task of getting to the bottom of the mystery and save her pregnant wife.

While the first half of Rajiv Virani's directorial debut HELP is slow, it picks up in the second half with a decent and unpredictable background story. Supposedly
inspired from the Hollywood film, MIRRORS, its climax has some chilling moments. There are some genuinely scary scenes like the one in which the ghost is crawling on a ceiling or the climax one involving mirrors. But they are too scanty leaving you asking for more. The scene showing a dead dog with its internal organs blown apart is utter gross. It has its share of flimsy moments. The standard formula of the protagonist not believing in ghosts initially, and later believing in supernatural powers and seeking help is shown in HELP too.
Those who want to watch Mugdha sizzling in bikini can watch music promos of the movie from TV channels.

RATING: ** (out of 5)

*•.¸¸.¤ Exclusive Movie Review | PEEPLI [Live] | VaRiOuS RaTiNGs ¤.¸¸.•*

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Cast: Omkar Das, Raghuvir Yadav, Naseeruddin Shah, Shalini Vatsa
Direction: Anusha Rizvi
Genre:
Duration:
IMDB Rating : 9.1/10

IndiaFM Review

When Aamir Khan produces a film, or is associated with any film in the capacity of an actor, be prepared for the unpredictable. Films like TAARE ZAMEEN PAR and 3 IDIOTS took pot shots at the education system in India and PEEPLI [LIVE], directed by Anusha Rizvi, is a tongue-in-cheek satire on the farmers' suicides and the role of vote-hungry politicians and the over-enthusiastic, TRP-seeking desperate electronic media jostling for eyeballs.

Come to think of it, the concept [farmers' suicides] would instinctively translate into a serious, thought-provoking film. But PEEPLI [LIVE] takes a grim and solemn issue, turns it into a satire, garnishes it with populist sentiment and makes a far greater impact than a mere documentary, had it tackled the burning issue. In fact, like all Aamir Khan films, PEEPLI [LIVE] marries realism with a winning box-office formula most brilliantly.

A sad fact of our society is that bad news attracts instant attention. In PEEPLI [LIVE], an impoverished man offers to commit suicide so that his family can benefit from a government grant - a dark subject matter which is dealt with in a delightfully humorous manner. In fact, it's a terrific satire about a troubled India, the shining India, the industrialised India that's rarely depicted on the Hindi screen.

PEEPLI [LIVE] focuses on the poorest of the poor in India and it not only highlights the plight of a farmer in a tiny corner of a giant country, but also throws light on the varied people who exploit the situation to their advantage, right from the politicians to the bureaucrats to the television reporters to the local people. In fact, PEEPLI [LIVE] makes a scathing attack on the functioning of media in India and how media persons, depicted as vultures, generally stoop to the lowest levels to increase the ratings of their television channel/show.

The best part is that at no point does the film gets preachy or starts offering solutions to the grave issue. It's a mere tool that the makers have used to discuss bureaucracy, the rural and urban divide and lack of concern of the administration.

Final word? This tragi-comedy, a brilliant satire, is not to be missed.

Natha [Omkar Das Manikpuri], a poor farmer from Peepli village in the heart of rural India, is about to lose his plot of land due to an unpaid government loan. A quick fix to the problem is the government's program that aids the families of indebted farmers who have committed suicide. As a means of survival, Natha chooses to die. His brother [Raghubur Yadav] is happy to push him towards this unique honour.

Local elections are around the corner and what might've been another unnoticed event turns into a cause célèbre, with everyone wanting a piece of the action. Political bigwigs, high-ranking bureaucrats, local henchmen and the ever-zealous media descend upon sleepy Peepli to stake their claim. Natha's mother [Farrukh Jaffer] screams at his wife [Shalini Vatsa], while his young son urges papa to go through with the suicide so he can use the money to become a policeman.

One TV journalist, in a desperate search for a new angle, tries to examine Natha's faeces to determine his emotional state. Nobody seems to care how Natha really feels.

PEEPLI [LIVE] tells the story of today: Rural society, the games politicians play, the bureaucracy and the manipulative electronic media. It's a well penned and well executed film that deals with a serious issue in a witty and entertaining manner. Although very real, it creates a world full of vivid characters and incidents and keeps the viewer engrossed throughout.

First-time director Anusha Rizvi handles the subject material like a veteran. Her script is tight and witty and her handling of a difficult subject deserves kudos. What really sets the film apart is that it is unlike a typical Bollywood film. In fact, you can't draw parallels with any film, past or present. And that's what goes in favour of this film, since virgin subjects handled with utmost sensitivity and maturity is the order of the day. Even the finale is most appropriate and absolutely befitting the content of the film. In a nutshell, Anusha scores a sixer in her debut.

The music, composed by multiple artists, is Indian to the core and borrows heavily from folk music. The hugely popular - 'Mehangayee Daayan' - is the pick of the lot, without doubt. Cinematography is appropriate. Dialogue, laced with expletives, are truly fantastic and most importantly, real.

Manikpuri is brilliant as Natha. Raghubir Yadav shines as the opportunist brother. Malaika Shenoy [as the television reporter] is exceptional. Shalini Vatsa [as Natha's wife] is outstanding. Ditto for Farrukh Jaffer [Natha's bed-ridden mother]. In fact, the constant tu-tu-main-main between the saas-bahu is thoroughly enjoyable. Nawazuddin Siddiqui [as Rakesh, the local journalist] is natural. Vishal Sharma [as Kumar Deepak, the rival journalist] is top notch. Naseeruddin Shah is first-rate as the conniving, shrewd politician. The remaining cast - there're lots of actors in the film - pitch in believable performances.

On the whole, PEEPLI [LIVE] is sure to ride initially on the strength and credibility of its iconic actor/producer Aamir Khan and once that is achieved, the powerful content is sure to speak for itself. PEEPLI [LIVE] is a film that would not only appeal to Indians, but is sure to reach out to audiences beyond India. Simply brilliant!

Rating : 4.5 :yahoo:

*•.¸¸.¤ Exclusive Movie Review | Despicable Me | VaRiOuS RaTiNGs ¤.¸¸.•*

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Voice Cast: Steve Carrell, Jason Segel, Russell Brand, Miranda Cosgrove, Elsie Fisher,Julie Andrews
Direction: Chris Renaud & Pierre Coffin
Genre: Animation/Comedy
Duration: 95 Mins
IMDB Rating : 7.8/10

Indiatimes Review

Aptly titled, ‘Despicable Me’ is one of the cutest animation films I’ve seen in a long time. The characters are extremely lovable... lovable enough to melt any cynic’s stony heart which dismisses an animation film as a ‘kiddie’ film even before watching it. Though predominantly catering to kids, the story by no means is written solely for the under 15 age group and there lies its beauty. Even grown ups can identify with the film’s lead character Gru who isn’t as obnoxious as he would want others to believe so.

Hunched, bald and ugly Gru (Steve Carrell) is a super villain who aspires to be the best in the business. He thus plans to accomplish an impossible task with the help of his minions and friend cum in-house scientist Dr. Nefario (Russell Brand) which will establish him as the greatest of all villains.

Gru plans to steal the moon! Gru thus approaches the ‘bank of evil’ to finance his over-the-top (literally) plan which they refuse as they give preference to financing a young egomaniacal villain called Vector instead. Gru however doesn’t get bogged down and decides to go ahead with his plan with the help of 3 orphan girls. Gru fakes his affection for the three initially to get his work done but how ends up becoming a doting dad of the three eventually forms the story.

In the first scene, you see Gru walking in style as if he owns the world. A crying kid grabs his attention. He makes a balloon animal for the kid only to burst it himself! The weirdness of Gru’s character evokes maximum laughter. The flashback scenes which show a baby Gru interacting with his uninspiring mother are simply hilarious.

Gru’s tiff with a much younger Vector, their different lifestyles, way of thinking and even houses beautifully showcase the generation gap and how the youth today treats their elders.

How the arrival of those 3 girls changes Gru’s life forever makes the film truly heart-warming and adorable.

Despicable Me is not just a humorous film as we would like to believe. The laughs are there but it’s the emotional genuineness that makes the film special.

The film is way better than Shrek Forever After and even Toy Story 3 in terms of its engaging quality.

Steve Carrell as Gru is perfect. The actor lends his weird humour to the character. Russell Brand is the only British actor who lends his voice for Dr Nefario and does it well. Amongst the three girls, youngest Agnes who loves unicorns and her daddy is the cutest. You will go ‘awww’ every time she appears onscreen!

Despicable Me is hilarious yet heart warming. This espionage parody will leave you with a smile much after the film is over...

Rating : 4

●๋•๋• Exclusive Movie Review | Aisha | VaRiOuS RaTiNGs ●๋•●

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Cast: Sonam Kapoor, Abay Deol, Ira Dubey, Anjali Puri
Direction: Rajshree Oza
Genre: Drama
Duration: 2 Hrs 11 Mins.

IndiaFM Review

Recall the age-old adage: Marriages are made in heaven. Consummated on earth. But haven't we encountered lots of people in real life who try to set things up between friends/acquaintances? In fact, they take upon themselves to make matches and meddle in other people's affairs. That, in a nutshell, is the plotline of AISHA.

Let's get one thing straight. You are not exploring virgin territory with AISHA. 'Emma', the Jane Austen novel, has been adapted on film and television in the past. Although first published in 1815, almost 200 years ago, director Rajshree Ojha and writer Devika Bhagat transport the characters from this novel to present-day New Delhi. But the essence remains the same: A simple plot and an equally simplistic love story.

Unlike most love stories that we’ve witnessed on Hindi screen, there’s no heavy-duty dramebaazi in AISHA, no major hurdles to cross, no parental opposition to encounter, no major conflicts to solve. The director and writer remain faithful to the novel, which prompts you to ponder, wish the relationships were so uncomplicated in today’s times.

But there's a flipside as well. The film runs a little longer [although the running time is 2 hours] and gets painfully slow in some portions. Besides, AISHA lacks the depth of passion and that could be because the makers were trying to make something lighter and breezier. Sweeping the minor complaints aside, AISHA is watchable for two factors mainly: Neat performances, especially by Sonam Kapoor and Amit Trivedi’s super musical score.

Final word? The romantic buried inside all of us may respond to AISHA well.

Aisha [Sonam Kapoor] is a girl with a simple diktat -- everyone's business is her business. Arjun [Abhay Deol] is a boy with even a simpler set of beliefs -- Aisha should mind her own business. Caught in the Delhi upper class world with its own set of social rules, Aisha navigates her world with a great sense of style and even greater optimism.

Caught in her web are her best friend Pinky [Ira Dubey], the small-town girl Shefali [Amrita Puri], the West Delhi boy Randhir [Cyrus Sahukar] and the hunk Dhruv [Arunoday Singh]. Aisha will make sure everyone dances to her tune. And all Arjun wants to do is disentangle that web and get Aisha out of an impending sticky mess.

Director Rajshree Ojha and writer Devika Bhagat introduce the principal characters at the very outset and within minutes, you know their traits as well. The entire first hour is filled with the assorted characters interacting with one another and technically speaking, there's hardly any movement in the story. In fact, the first hour is more of a collage of incidents and moments put together on a beautiful canvas.

But the wheels start moving towards the post-interval portions, when the lead characters [Abhay, Sonam] suffer from pangs of jealousy and the remaining characters find themselves at crossroads as far as relationships are concerned. From this point onwards, AISHA gets more and more engaging. Note the confrontation sequence between Sonam and Amrita, which leads to a bitter outburst by the latter. Note the sequence when Sonam professes love for Abhay at a marriage reception, only to realise later that she had walked into a wrong venue. Note the finale, which is very Mills & Boon type of culmination. Well penned and well executed sequences!

Director Rajshree Ojha has handled several moments well, but how one wishes she would've spruced up the proceedings by coming straight to the point, instead of depicting Abhay and Sonam in sulking moods in several sequences of the second hour. Also, from the writing point of view, Cyrus and Ira Dubey suddenly realise that they are made for each other. Why this sudden pyaar? Didn’t they detest each other? Loving the same musician doesn't imply you are made for each other! There had to be a scene or two to indicate that they are drawn towards each other.

The production design [Shruti Gupte] is impressive. The film bears a striking look all through. The styling of all characters is up to the mark. The costume designers [Pernia Qureshi and Kunal Rawal] deserve full marks for choosing/making the trendy outfits. Diego Rodriguez’s cinematography is appealing. Music composer Amit Trivedi is in form, displaying his versatility in various numbers such as ‘Shaam’, ‘Suno Aisha’ and ‘Gal Mitthi Mitthi Bol’.

AISHA is sure to open eyes to the talent of its leading lady Sonam Kapoor, who gives face, form and expression to Aisha. She displays the essential characteristic of an actress who has the ability to shift quickly and effectively from one emotion to another. She can cry, look wistful and deliver a biting line with equal believability. Abhay Deol is a complete natural and the fact comes to the fore yet again as you watch AISHA. Although Sonam has an author-backed role, Abhay underplays his part well and registers a strong impact in several scenes.

The film is supported by a fine [read talented] cast. Also, one of the delights of the film is the cleverly written supporting roles. Ira Dubey is spunky, a damn good actor. Amrita Puri is a revelation, a powerhouse of talent. Cyrus Sahukar is first-rate. Arunoday Singh acts his part well. Lisa Haydon [as Aarti] is underused in a small role. Anuradha Singh is classy. M.K. Raina [Aisha’s father] is efficient. Anand Tiwari [as Saurabh] is competent. Sameer Malhotra and Vidhushi Mehra [Aisha’s brother-in-law and sister, respectively] have nothing substantial to do.

On the whole, AISHA holds appeal for the youth mainly and there’s a strong likelihood that this segment of movie-going audience will fall for its charms. From the business point of view, the makers have recovered a big chunk of their investment from the sale of Satellite Rights and Music Rights and recovering the balance amount from India theatrical, Overseas and Home Video should be a cakewalk.

Rating : 3.5

●๋♫●๋ Exclusive MuSiC Review | DABANGG | Rating : 3 ●๋♫●๋

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Singers
Rahat Fateh Ali Khan
Mamta Sharma
Aishwarya
Sonu Nigam
Shreya Ghoshal
Sukhwinder Singh
Wajid
Master Saleem
Shabaab Sabri
Salman Khan


Lyricist

Faiz Anwar
Lalit Pandit
Jalees Sherwani


Music Director

Sajid
Wajid
Lalit Pandit


EXPECTATIONS

Well, it can now be comfortably said that Salman Khan and his composer duo of Sajid and Wajid are definitely a team. One look at the last few films of Salman and the declaration does come with a strong standing. Wanted, Main Aurr Mrs Khanna, Veer and now Dabangg - Film after film it is the same team which is coming together to get the music in place. Add to this the fact that this combination along with lyricist Jalees Sherwani has invariably delivered and you know that Dabangg too is in safe hands. What does one expect? Well, a mix of all genre of songs, something that was also the case with Salman's last masala action entertainer - Wanted.

MUSIC

Dabangg begins on a highly positive note with 'Tere Mast Mast Do Nain' which is written by guest lyricist Faaiz Anwaar. This track easily sits amidst the best of what Sajid-Wajid have offered in their musical career so far. Easy on ears, extremely melodious, good pace and instantly catchy, 'Tere Mast Mast Do Nain' has a Sufi base to it which is elevated to further heights due to one man - Rahat Fateh Ali Khan. His name spells quality and it is no different in case of 'Tere Mast Mast Do Nain' which is all set to be a chartbuster and has en evergreen appeal to it. No wonder, not just it arrives at the very beginning of the album, it is also repeated in a duet version with Shreya Ghoshal (good again) and a 'remix version' (not really the preferred version).

An attempt to recreate the flavour of 'Beedi Jalaile Le' turns out to be just a good - not extraordinary - outing in the form of 'Munni Badnaam'. Lalit Pandit is the guest composer and lyricist of this song which has a UP-Bihar setting to it (which goes in synch with the backdrop of the film as well) and is sung in a rustic style by Mamta Sharma and Aishwarya. The lyrics, though definitely not vulgar, cater mainly to the gentry, what with references to Bipasha Basu as well as Bebo (Kareena Kapoor). A foot tapping (as is the 'remix version'), a lot will depend upon how it is picturised on Malaika Arora Khan because in isolation, it is not the kind that has in it to cover a huge distance all by itself.

Well, if one thought that 'Don't Say Alvida' was the best that Sajid-Wajid, Sonu Nigam and Shreya Ghoshal had to offer to Salman in Main Aurr Mrs Khanna then watch out for 'Chori Kiya Re Jiya'. Boasting of simple lyrics by Jalees Sherwani (who takes over the scene from this point on), 'Chori Kiya Re Jiya' is yet another winner that Dabangg can guarantee for itself. Melodious, sweet sounding and instantly bringing a smile on your face, 'Chori Kiya Re Jiya' is the kind of number that ensures a comfortable hearing as well as viewing due to an intrinsic innocent appeal.

What is not so innocent though is 'Udd Udd Dabangg' which is the kind of title song that is totally on the same lines as the one heard in title track of Omkara. What is also common is Sukhwinder Singh who was vociferous in Omkara but is hauntingly subdued yet powerful in Dabangg. It takes a couple of listening to grasp the mood of 'Udd Udd Dabangg' and though it is not the one to be sung around, it makes for a good inclusion in the background score of the film's narrative. Wajid too joins Sukhwinder for this rustic number that should auger well with Salman's fans.

Just a few months back, music lovers were offered an energetic 'drunken song' in the form of 'Taali Maar' [Veer]. In fact it was one under rated number that deserved to cover a bigger distance. An effort is made to create a song on the same lines, 'Humka Peeni Hai', with Salman as the centre of attraction yet again. However, the results aren't as exciting as 'Taali' with 'Humka Peeni Hai' turning out to be just about average. Wajid, Master Salim and Shabab Sabri come together to get the energy into the proceedings but somehow the tune by itself doesn't excite a listener enough to play it over and over again, despite the arrival of a 'remix version' a little later.

The album ends on a high note though with 'Dabangg Theme', which just like the 'Most Wanted' track in Wanted comes with good enough ammunition to keep the listener hooked. Chances are that you have gone through the theatrical promo of Dabangg already. If so, there is good news because the same promo is heard in 'Dabangg Theme' with even the dialogues being kept intact. For the fans and followers of Salman Khan, it is a much cherished added bonus to listen to some powerful dialoguebaazi.

OVERALL

Dabangg delivers what it promised. One expected a masala soundtrack and this is what one gets with a couple of item song sequences, a couple of theme tracks and two love songs which are actually the highlight of the film. A soundtrack that has something in store for mass (Munni Badnaam, Humka Peeni Hai) as well as class (Tere Mast Mast Do Nain, Chori Kiya Re Jiya), Dabangg should see good response at the music stands.

OUR PICK(S)

Tere Mast Mast Do Nain, Chori Kiya Re Jiya, Munni Badnaam

Rating : 3

the film emotional attyachaar – synopsis

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The Film - Emotional Atayachar, is a ROAD THRILLER WITH BLACK HUMOUR. It is an ensemble film set on the deserted highway between Mumbai and Goa and revolves around incidents that take place in one night to four sets of travelers.
It is essentially a dark film, in which, each character is an anti-hero who has a dark side. The real HERO of the film is the mysterious interconnection between these stories that unfolds in a non-linear format. Each story varies from the other in its humour, flavour, and content but is driven by more or less a similar motive – money.



Film Star Cast:

Ravi Kishan, Vinay Pathak, Ranveer Shorey, Mohit Ahalawat, Kalki Koechlin, Sakshi Gulati, Snehal Daabbi, Anand Tiwari, Jimmy Varyani, Shubha Khote

●๋♫●๋ Exclusive MuSiC Review | We Are Family | Rating : VaRiOus ●๋♫●๋

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Director : Siddharth P.Malhotra
Cast : Arjun Rampal, Kajol, Kareena Kapoor
Music Director : Shankar Ehsaan Loy
Lyricist : Irshad Kamil, Anvita Dutt Guptan
Cassettes & CD's on : Sony Music


TrackList :

01 - Ankhon Mein Neendein - Rahat Fateh Ali Khan, Shreya Ghoshal, Shankar Mahadevan (5:02)

02 - Dil Khol Ke Let's Rock - Anushka Manchandani, Akriti Kakkar, Suraj Jagan (03:57)

03 - Reham O Karam - Vishal Dadlani, Shankar Mahadevan (05:47)

04 - Hamesha & Forever - Sonu Nigam, Shreya Ghoshal (04:51)

05 - Sun Le Dua Yeh Aasman (Theme Slow Version) - (03:53)

06 - We Are Family (Theme) - Dominique Cerejo, Clinton Cerejo, Neuman Pinto, Vivienne Pocha (02:48)

Bonus Tracks :

07 - Noor E Khuda - Adnan Sami, Shankar Mahadevan, Shreya Ghoshal (06:37)

08 - Aaj Kal Zindagi - Shankar Mahadevan (04:14)

09 - Kabhi Alvida Naa Kehna - Sonu Nigam, Alka Yagnik (08:01)

10 - Kal Ho Naa Ho - Sonu Nigam (05:19)

|:| eXcLuSiVe DVD Review | 3 Idiots | Rating : 5 |:|

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MOVIE DETAILS

Cast: Aamir Khan, Kareena Kapoor, R Madhavan, Sharman Joshi, Omi, Boman Irani
Director: Rajkumar Hirani
Producer: Vidhu Vinod Chopra
Music: Shantanu Moitra
Lyrics: Swanand Kirkire

THE FILM

Rajkumar Hirani is one manipulative director. The man doesn't just know his job; he in fact brings in a different dimension to his job, hence following the very philosophy that he advocates in the film. In one of the crucial scenes simply told, one of the three protagonists challenges the entire point behind studying - 'Is it merely about following what is already in place? Or is it about inventing something out of all that has been established?' Raju does something similar while telling a story through his movie. He learns from some great cinema that could have been made in different parts of the world and comes up with something as original as '3 Idiots' which doesn't have any predecessor and tells an absolute fresh story.

Which brings one to another important point i.e. 3 Idiots being entirely a director's film. This can be pretty much gauged from the fact that when an entire opening paragraph (in this review) describing the film doesn't mention Aamir Khan, there would be something intrinsically brilliant about it. Yes Aamir Khan is brilliant and so are the other two idiots - Madhavan and Sharman. They look like the character, make you forget their on-screen image and bring you into the campus. But what remains with you are not the characters, actors or their histrionics; it's the scenes that remain etched in your memory hours after the film is through.

In such a scenario how does one pick and choose the most memorable of them all? Is it the one where Aamir runs with a box of sweets in one of the crucial moments in the film (with the song 'Jaane Nahi' playing in the background), is it the entire climax sequence at Ladakh, is it the interval point which is the 'baap' of all shockers that one may have witnessed in a film, is it the ragging sequence, is it the one where Aamir is asked to deliver a lecture, is it the opening sequence featuring Madhavan, is it that riotous college speech, is it Sharman's interview, or is it Kareena's first interaction with Aamir at a wedding?

The list is endless and so is the fun that remains as a consistent element of this near three hour long film which actually makes you ask for more. Rajkumar Hirani follows the basic principle of story telling - 'Don't bore your audiences'. He doesn't and while doing so, he manipulates the entire story telling in such a manner that you just go with the flow. He makes you laugh hysterically, he brings on the smiles and in the process of doing so he makes sure that you also weep incessantly. The tears belong to the kind which flow not because you are laughing non-stop (as it happens in a Priyadarshan film) or getting emotionally charged (as witnessed in a couple of Sanjay Leela Bhansali films). They flow because Raju creates such scenes where a viewer shifts gears from being attentive to sheer euphoric. The idiom of 'smile on your face with tears in your eyes' fits in perfectly well in the story telling of Rajkumar Hirani and hence the reason why he gets hailed as one 'manipulative director' - of course in a positive sense!

Because Raju uses Aamir as a central protagonist who brings to screen the thoughts which are basically his (Raju's) own, it doesn't mean that Madhavan and Sharman have any lesser part to play in 3 Idiots. In fact not just the three of them have an equal screen time for themselves, they also have quite a few scenes that are entirely their own. Due to the very fact that the story is narrated by Madhavan, he as well as Sharman do enjoy quite some moments in the film where it's just them who have to do hold audience's attention.

This is where their own talent as well as Raju's smart story telling comes into picture due to which one doesn't miss Aamir's momentary absence (that does happen quite happen actually) in the film. As for Kareena, she may not be the key protagonist in '3 Idiots' but shines in each of those 7-8 scenes that she appears. As for Boman Irani, he is incredible and though he ran the risk of getting into Dr. Asthana (Munnabhai MBBS) mode, he doesn't let that happen even once in a role that requires him to be present throughout the film's narrative. What also stays consistent throughout the narrative is music. Let's acknowledge the fact that compared to Munnabhai series, the music placement is quite a few notches ahead in case of 3 Idiots, especially the track 'Behti Hawa' which stays on to be the theme of the film.

Of course just like Hirani's earlier two efforts, 3 Idiots too makes a statement, this time around pursuing that domain in your career where you truly believe in what you are doing rather than being a part of the herd just for the sake of it all. While watching the film, you do recollect shades (very very light ones though) of Hollywood's Good Will Hunting where Matt Damon's character looked at complex problems being something that are meant to be played with than worried about. In Bollywood's parlance, Aamir says it all with a simple phrase - 'Aal Izz Well'!

PACKAGING

3 Idiots comes in comes in a compact packaging, something which was much required due to load of goodies that the DVD has to offer. A hard bound comic book 'Idioticomic' (which basically has some of the best scenes of the films reproduced as 'real comics') is the pick of the lot and worthy enough to be preserved. For kids as well as adults alike, there is a sticker book that again has a mix of real stills, quotable quotes and similes. Also, there is an additional DVD around the 'Special Features' (more about this later). However, there is a small area of improvement. The DVD itself is included in a paper case, which means that a buyer has to be extra careful in handling since there are all the chances of it slipping away from the case. For a movie as classy as 3 Idiots which would be preserved for many more years to come, a much better holding mechanism could have been thought of.

DURATION

The film's duration is 165 minutes.

SPECIAL FEATURES

- Making of the Film
- Director's Commentary

Making of the Film

This is no ordinary 'making' DVD that one gets to see in case of 3 Idiots. Rather than a regular dose of 'making of movie', 'making of songs', 'deleted scenes' etc., the making is actually divided into snippets that make for a highly engaging experience. Of course it is a given that in a prestigious affair like 3 Idiots, trivial aspects like 'I loved working with so and so' won't be an inclusion. Instead, a little more than an hour that follows actually takes a viewer behind the scenes as well as on the sets to know more abut what really transpired.

This is the reason why it is an interesting watch to see the trouble that the cast and crew had to go through during their first schedule in Ladakh due to turbulent weather conditions. Also, there is an entire segment on how Aamir went through a change in physical appearance from Ghajini to 3 Idiots. There is quite some insight provided into how different looks were tried out for each of the protagonists while Omi's audition makes for a good watch too. What is most exciting though (relived in almost a thriller format) is the sequence where the production team had to actually run into the sets of another film and borrow some raw stuck even as actors were ready to give their shot a few kilometres away.

There are quite a few funny moments as well, most notably the 'pants down' sequence when the entire ragging was filmed in a place which was actually a girl's hostel. A few bloopers are added too (spelled as bloppers in the DVD - now that's one blooper, intentionally may be!) that add on to the fun. What is a huge highlight though is the photo album. Unlike a segment like this which in other films just appears to be an add-on, the photo album is a value add since it yet again highlights quite a few trivia (through text material), hence making the 'Features' DVD a wholesome experience.

Director's Commentary

It is always a fun watch to listen to Director's Commentary, especially when a film is good. This is what happens in case of 3 Idiots where Hirani gives an English commentary, something which is entertaining rather than preaching or self appreciation (which does happen in a few commentaries). He keeps it all lively and rather than getting into 'Oh, this scene was the most difficult to perform' mode, he shares quite an insight into what went behind the making of the scene, how things were happening in the background during the production or how tough calls had to made at places. There is ton loads of trivia which is shared and those who have read the recently released book around screenplay of 3 Idiots would be able to recollect quite a lot of it which was shared there as well.

Here is presenting some of the trivia:

- In the famous 'chamatkar' scene, the original plan was to change the entire speech, not just the key words

- The most difficult piece of casting was not one of the 3 Idiots; it was the man who played the role of Joy's father

- It was Vidhu Vinod Chopra who added the now-famous interval scene with a photo frame featuring Javed Jaffrey

- One of the easiest actors to work with was the boy who played the role of young Aamir

- There were (major) changes that were made to the script till even till a week before the commencement of shooting

- While each of the three idiots actually got drunk for their drunken scenes, Kareena refrained from doing so

- Much famous delivery scene of Mona Singh was actually written for Munnabhai MBBS

- Omi was made to wear someone else's underwear for the climax scene

TECHNICAL DETAILS

- 16:9 Anamorphic Widescreen Presentation
- Subtitles - English
- Dolby Digital 5.1 and Stereo

PRICE

Rs. 499/=

CONCLUSION

Last couple of years haven't been particularly good for Bollywood but this effort from Rajkumar Hirani pretty much saves one from panicking. Till a few months back everyone was going gaga over how James Cameron is the God of cinema and there would be a pre-Avatar and post-Avatar world of movies. Well, one may not make similar claims for worldwide impact that 3 Idiots may make but the fact remains that with this effort of his, Hirani creates a new 'avatar' for Bollywood which would now be divided between pre - 3 Idiots and post-3 Idiots.
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